MARRIAGE STORY ***1/2
Noah Baumbach
2019
IDEA: A New York-based theater director and his L.A.-bred actress wife negotiate a turbulent divorce process between the two cities, with their young son caught in the middle.
BLURB: Marriage Story is a story of disparities personal,
vocational, and geographical, in which the systems of divorce – legal as well
as social – turn a couple's relatively normal foibles into the shaky grounds for battle.
New York or Los Angeles, Father or Mother, Broadway or Hollywood; the
dichotomies set up by Baumbach compound the couple’s sense of being miles apart
both physically and mentally, and coalesce into a conflict that outgrows, and
then risks devouring, the humble, unquantifiable feelings on which their relationship
is founded. The pain that emerges largely stems from the situation of two well-meaning
people having to uncertainly depend on systems that can’t summarize, contain,
or solve the complexities of their bond. Yet behind the hurt, underneath even its
lacerating spats, Marriage Story is
informed by an alleviating archness that indicates the narration of an artist using
the medium as a performative form of self-exorcism. Humor pops from nearly every
scene thanks to the director’s trademark badinage, pointing up the absurdity of
legal processes here, wryly twisting the tenor of a conversation there. Comedy has
rarely seemed so cathartic in a Baumbach film, to the point where it can, at
times, undercut the interpersonal anguish. Viewed through the lens of auto-fiction,
however, even the most comically heightened of characterizations come to read
as reflections of someone creatively processing their experiences. This
might suggest that Baumbach is smoothing over the past, or gesturing at
self-exoneration, but that’s not the case. What is remarkable about this portrait is how mature and even-handed it is, how it finds in both partners
qualities that invite vexation and understanding. It’s not called Divorce Story, after all; through the
aching performances of Driver and Johansson, the film locates in discord an
underlying intimacy that can’t be fully extinguished.
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