THE IMAGE YOU MISSED ***1/2
Donal Foreman and Arthur MacCaig
2018
IDEA: Filmmaker Donal Foreman reflects on both his estranged father and his Irish heritage through archival footage his father shot of the Troubles in Northern Ireland.
BLURB: A film “between”
Donal Foreman and Arthur MacCaig, The
Image You Missed is a dialogically dual-authored memoir and a dynamic
record of national memories negotiated across generations. In montage by turns
contemplative and propulsive, Foreman absorbs, interprets, and recontextualizes
his father’s documentary footage alongside his own, simultaneously bridging
their distinct personal and politico-historical experiences and exposing the
irreconcilable gulfs in between. The film demonstrates, lucidly, the
intersection of individual and collective identity with practices of
image-making and consuming, but it would perhaps be more accurate to say it
exemplifies these things as being always already entwined. By recognizing his
father’s archive as not merely evidence of a cultural past he never experienced
but as a necessarily provisional and ongoing site for historical writing,
Foreman realizes Gregory Paschalidis’ maxim that “photographs do not represent
history, they represent in history…
are part of the way we make sense of and give form to history.” Much of The Image You Missed can be understood
in this way, as a testament to how images frame and generate historically and
culturally situated knowledge about ourselves. The vastly different Irelands
that separate Foreman and his father’s lives – not to mention all the other
temporal distances keeping them apart – may speak to inevitable epochal changes
and epistemological gaps, but in dialoguing with his father’s past in the
present, Foreman is able to create the sense of fissures symbolically overcome.
One comes away from The Image You Missed
with the feeling of the image’s partiality, certainly, but also with an
intensified awareness of its exorbitance, of its power to create meaningful new
connections.
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